Thursday, April 12, 2012

Good, good ride last night. Got there in decent time, groomed and tacked up quickly.

I started out with a bit of an experiment - what I was referring to in my head as the Kinder, Gentler Warm Up. Reallyreally focusing on march in the walk - not caring about bend other than that he wasn't inverted, or contact other than that I could just feel his mouth lightly. Lots of tapping and really encouraging step from behind. We just kept on walking around the ring, circles, around jumps, until he started stretching into even the very long rein I started with.

Next, trot with the same goal, focusing on my leg and his forward, only light contact and only asking him not to be counterbent, very soft chewing on the inside. He was sticky initially, so I let him canter with the same goal, and he blew out almost immediately; this is a horse who can hold his breath the length of a ride.

Once I was happy with his march and his forward (not without some frustrating moments for us) I started to pick up the reins verrrrry slowly and really ask him to reach for the bit through the trot, then gradually worked him up to a shorter and shorter rein and asked for lift off the inside leg. Nothing truly spectacular but good, solid work.

The canter was the best work of the evening: after all that time to stretch out, I really asked him to step up. Left clicked into place fairly easily, lowering and stretching through his neck while lifting through his withers from my inside leg. Now that he's starting to let go of his neck in the canter, he's become quite terrifically on the forehand, which - y'know, technically I should be going right from strength to strength, an uphill forward trot to an uphill forward canter. The idea of a heavy, flat, on-the-forehand as a sign of progress probably makes dressage queens cry. I'd like to see those dressage queens try to ride my horse on a regular basis. As long as I keep reminding him that he *ought* to be using his hind end to spring up in the canter, I'll accept that for now the only way he can unlock his neck is to be much heavier than is ideal. Once he can loosen his neck, we will put the jump back in. It worked nicely in the trot, it will work in the canter.

Right lead took longer, but I really worked it, long sequences of half-halt/wait, half-halt/wait, kick up off the inside leg but keep him going with the outside leg and judicious whip use. He got there for a few strides and I decided done, but then the trot work was soooooooo good after that that I said, y'know, he's not quite tired yet.

So we picked up the canter again, left, and came out of the circle down the long side, turned back down a center line, back to trot, then into the right lead canter. Which clicked in even faster this time, and we got a WHOLE CIRCLE and then down a side with him giving his neck to me, cantering up through his withers the tiniest bit, and coming back to me when he threatened to break.

So then we power-trotted on a loose rein, and then we were done, back for a nice trail ride with Hannah and Tucker, and P. and Glory. Even included some trotting and cantering, which I am always reluctant to do on the trails because I don't know the footing as well as I ought to, even after almost a year. Tris enjoyed it thoroughly, especially the parts where we were cantering uphill toward home. "Zoom, mom! There's hay in my stall!"

Alas, no riding this weekend, because grad school sucks a lot. I'm trying to put together a good schedule for next week so we can really prep effectively for the show. I'm really not nervous, but I'd like to do well if only for the pictures. :)

Friday, April 6, 2012

Buck

R. from the barn recommended this to me, and while it took me a few days of evening watching on Netflix to get through, I finished it last night. (No fault of the documentary - my life is such that it's rare for me to get a half-hour at a time to watch TV or Netflix.)

Overall, it was a very well-done documentary that told its story effectively and touchingly. The director seemed to know that Buck Brannaman's personality was intriguing and charismatic enough to carry the whole film, and let him talk for long chunks of time. He comes across as a truly extraordinary person who's risen above a horrific childhood to develop a real gift for handling horses.

The second half of the documentary packed more emotional punch than the first half, with two "storylines": the sorrel stud colt and Buck's relationship with his daughter, Reata.

The scenes of the colt were utterly heartbreaking. I never caught his name, but he was (is?) a three year old who was pulled from his dead mother and breathed back to life, and the vets figured that he started his life with some oxygen deprivation and brain damage. That's a tough way to start, but his owner then brought him into the house to bottle feed, never gelded him, and stopped handling him before he turned a year old, turning him out with her entire herd of uncut studs. Flash forward to three years later and she has a horse that, as Buck stated, is as near to a predator as a horse can get.

I won't spoil the ending of his story, but it was hard to watch. Really hard. Thankfully, no words were minced about how the owner had created the situation and would go on making it worse unless she stepped up and took some responsibility for the danger she had put everyone else in.

The scenes digging into the relationship between Buck and Reata were equally emotional, for a different reason. I was especially struck when Buck mused, watching his daughter, that she was so much like him, and that he was looking at the child that he might have been, had he not been so systematically abused by his father.

In terms of the horsemanship involved, I didn't necessarily agree with everything he did, but I never found fault with his basic approach: soft, gentle, patient, and unemotional. He was firm when he needed to be and gave when he needed to. It was lovely to watch him ride and handle his own horses with soft, fluid motion. One theme that the documentary hit perhaps a bit too hard was that he was dramatically different from every other horse trainer, which is...not true. Good classical horsemanship has all the same elements he uses. I can appreciate that in the Western horse world he represents a dramatic alternate path, but with a broader lens, he is part of a long tradition.

At only 88 minutes, it's a quick watch, and it's available on Netflix streaming. I'd recommend it for anyone interested in horses and horse people.

Wednesday, April 4, 2012

Lesson Notes: Outside Rein

It's been a frustrating couple of weeks. I've been extremely busy and stressed in the rest of my life, and some of that has bled through to my riding. My last two lessons weren't great; one was outright awful. Tris is having what T.  has characterized as a "rebellious phase." We've fallen off the edge of the plateau and are slowly climbing up again.

Last night's lesson was better, though. Tris had his teeth done, and I think that helped him feel a bit softer and looser in the mouth, because he was more willing to work with me than he has been. We even got to some fairly nice work by the end of it, and are slowly touching on good stuff in the canter.

My next step is to really solidify my outside rein. Tris gets so stuck either overbent or stiff as a board that I have trouble feeling that sweet spot, that just-enough-bend moment when I can drive him through to the outside rein. I tend to overcompensate on the inside and focus on that instead of really balancing from outside aids. T.'s new mantra for me is "your inside aids are doing enough." I'm also working hard to half-halt through my hips instead of using my elbows, which is bearing fruit in the canter.

After a really, really rough patch with the right lead canter we are slowly getting that back. Tris learned a bit of an evasion in flinging his neck and shoulders around, picking up the wrong lead, and then dropping into trot; we're getting the right lead more consistently now, and I have more ways to fix that problem.

I spoke with T. about a conditioning schedule as well. There has been some back and forth on the COTH forums about conditioning, and I described the two camps to T. and asked for his opinion. My gut, as I explained to him, is that Tristan is not currently fit enough to come off a BN cross-country course in the kind of condition I'd want, so I've been doing a schedule that looks something like:

15 minutes brisk walk
8 minutes trot
2 minutes rest
8 minutes trot
2 minutes rest
8 minutes trot
5 minutes rest
2 minutes canter
1 minute rest
2 minutes canter
1-2 minutes loose trot into walk and done.

T. agreed with the schedule. Tristan doesn't have the base of fitness that many event horses do - he wasn't started until he was 11, after all - and he doesn't exactly exercise himself in the field. (T. described at length Tristan's attitude when others in his field are cavorting around: "You guys, that looks like a lot of work and effort and there is hay, right here, for me to eat. You're all stupid." I commented that Tris is constantly saving his energy for when a mountain lion actually does attack, and in the meantime, he sees no point to it.)

Conditioning will also tighten up his ligaments to get ready for the concussion of a XC course, and I've been instructed to do my sets in two-point, which will work on my lower leg. I can already see what a difference riding in short stirrups more regularly has made, so tonight it's a conditioning night in two point for us. I was glad to have my gut feeling confirmed.

We are officially entered at Elementary at the Valinor Farm CT, and will be schooling XC afterwards. We'll also enter Hitching Post at the end of May at Grasshopper, and are arranging stabling for that.

Friday, March 16, 2012

Mixed Messages

Good Thing #1: The saddle fitter returned some of my money - my jumping saddle didn't need to be touched, and the dressage saddle only needed a partial reflocking.

Good Thing #2: I arrived at the barn to see Tris getting the very end of his massage; he was a happy mellow boy. I got to talk to Eva about my concerns, that he had been having trouble with picking up the right lead and that I was getting a bit worried about his hocks. She shook her head quite firmly: his hind end really felt fine, apart from being tight in the hamstrings, which didn't say to her hocks - just general work. His back also felt great for not having been worked on in so long, so more good news there.

She did bring me over to his right shoulder and point out to me that he was really quite sore in the muscle that ran along the line of his shoulderblade there, and felt that that accounted for the problems in picking up the canter. I asked her what I could do to alleviate that, and she said that with the caveat that she is not a riding instructor, she would stay out of his way and not tip forward over his shoulders when he strikes off, and try to let him reach out more freely with his front end. That made sense to me.

I tacked up and did about 40 minutes of interval work, putting him lightly into contact and getting him stretchy at the trot, and pushing him through at the canter. It wasn't terribly hard work, and he felt good: springy, smooth, and he picked up his right lead and held it with no problems. Success on all counts!

I spent a while fussing over him and organizing things after the lesson, and ended up talking to T. briefly about my proposed schedule. I was a little sad to hear that he thinks we should get out more in order to prepare Tristan for a recognized event in the fall. Sad is perhaps the wrong word - conflicted, maybe?

My life will become much easier when I finish grad school later this spring, but money and time will still be tight. I'm going to have to work hard to find creative places to take Tris that don't bankrupt me, or alienate my boyfriend entirely. T. suggested finding places with "structure"; anything where we go and Tris has something expected of him when we get there, meaning not just trail rides but schooling shows. It makes perfect sense, and T. pointed out that he really needs to be on top of his game to get to a recognized, and it wouldn't be fair to him to push him there without the right preparation. Again - perfect sense. But I do wish for once I could take the simpler route with something...

Tuesday, March 13, 2012

Lesson Notes: The Thin Line Between Bravery and Stupidity

T. has been down in Florida living the high life and enjoying the gorgeous weather and training, and L. has been teaching lessons. They teach very different lessons, but both very good. I had been without stirrups for about two weeks before leaving them off for an entire lesson with L., and it worked out okay.

Tonight, I brought my stirrups into the ring and put them in a chair on the corner and told T. that I'd been going without them, and to please order me to put them back on if he thought I needed it - if I wasn't being effective. He shrugged and said to go ahead without them.

I warmed up at the walk, and then worked a bit at the trot, and then T. called me down. I realized that my lesson-mate was not going to be coming and that I was going to have a private lesson, and as I realized that, T. said, "Okay, rising trot at this end of the ring until you can get your horse more forward. Rising without pinching with your knees OR your thighs."

I spent the next ten minutes thinking I had done a very, very stupid thing in showing up to this lesson without stirrups, but I was damned if I was going to cave, so rising trot it was. I'm not sure if starting me off like that was a test or just a way to make sure that I wasn't depending on pinching, but he actually seemed pleased with the work, and Tris did start to move out more forward.

In fact, T. seemed pretty darn pleased with my riding the entire lesson, which was really terrific feedback and validation of the no-stirrup work I've been doing. He was happy with my position in the canter, even!

This is not to say I don't have notes. I also have a homework assignment: watch video of Mark Todd doing dressage on Charisma. I explained that I've been focusing lately on not scrunching my leg up to cue aids; when I truly let my leg hang long, my ankles are off his barrel, and I'd gotten into the bad habit of raising my leg an inch or two to cue a leg aid, which was not correct at all. Mark Todd was also too tall for Charisma, so I am to watch and study and ponder.

T. talked me a lot through a truly effective, plugged-in sitting trot as well. Think draping my legs around, think dropping my knees down and lengthening my thigh. We focused most on my core, and he manipulated my body a bit to show me where the power would flow when I really connected the half-halt in through my seat: through my lower back, through my hips, right through to the rein, with no need to lock up my elbow en route. Similarly I am to engage lift through my abdomen and when I really do it right, feel it bump up right against the bottom of my rib cage. For this to be really effective and free, I am to focus on lifting my sternum (my most effective mental picture) and make my shoulders heavy.

I took those ideas out for a spin, and there were whole stretches where I felt more plugged in to my seat than ever before, and as if Tris and I were truly moving together more than I've ever felt. I'm thrilled.

Best of all: I'm not actually all that sore. I've been trying to go to the gym on non-barn days, and have been targeting my riding muscles specifically as well as a general cardio improvement, and it's really starting to pay off.

I also gave T. my proposed spring/summer/fall event schedule, and left a check for the saddle fitter. Tris will get a massage on Thursday, his first in quite a while, and then both saddles will get partially adjusted. Then spring shots next Monday. Our first schooling show of the season is a month from Thursday!